In my own work this technique is very evident; in the composition, in the negative spaces, in the exercise of learning how to eliminate and to distil what is not essential, in what I see, in the way to use the brushes, and in the abstraction of the objects.

In my watercolors, I think that I am able to imprint what I have tried for many years to practice with the Oriental painting, to define and to create much atmosphere and with the colors develop a tropical climate, there is no use of colors in Sumi-e, only a limited palette when there is some